April 09 Profile: Todd Carpenter
Todd Carpenter, Managing Director, NISO
First, tell us a bit about yourself (hometown, current locale, family, hobbies, community involvement?) I
grew up in Rochester, NY, along the shores of Lake Ontario; a lovely
city six months out of the year. The other six months are snow-filled
and gray. The snow I miss, the overcast less so. In the early 90’s I
moved to Maryland, working for a time in DC, and eventually moved into
Baltimore City, which is where I now call home. My fiancé and I have
an 20-month-old son, who keeps me busy and entertained when I’m not
working. In addition, I am an avid photographer, focusing mainly on
abstracts and patterns in the world. I try to keep active with skiing
in the winter, and kayaking, mountain biking, and hiking in the
summer. I also probably spend too much time with technology, which is
where the line between work and play gets fuzzy.
What is your current job? Describe some of your responsibilities,
and how you or your organization fit into the scholarly communications
web.Currently,
I am the Managing Director of the National Information Standards
Organization (NISO). NISO plays a critical role in the information
distribution supply chain through the development of standards relating
to identification, description, discovery, exchange, preservation,
sales, collection, and management of media in analog and digital
format. NISO works both on the national (ANSI) and international (ISO)
levels to create standards and best practices. NISO has played a
leading role in the development and deployment of highly recognized
standards in the publishing world such as the ISBN, ISSN, DOI, Dublin
Core, OpenURL and COUNTER. More recent, NISO has focused on digital
information exchange in projects like SUSHI, KBART, ERM systems, and
metadata standards.
What career path led to your current position? It
seems that most of my colleagues have great stories about how they
ended up in publishing. I have only met a few people who started out
with life plans to be in scholarly publishing, but almost all are very
pleased with their life choices.
I followed my sister to
Syracuse University, where I studied German and Philosophy, possibly
the least practical dual degree imaginable. After college, I left the
north for the warm environs of Atlanta, where I went from working for
Lufthansa to the German-American Chamber of Commerce. After a few years
enjoying the warmth, I left and moved back north to Binghamton, NY and
got my first job in publishing as a marketing coordinator for The
Haworth Press. I started out researching promotional outlets and
mailing lists for catalogs. Shortly thereafter, the first browser was
launched and I began using the internet to solicit journal
subscriptions. I worked from home because the office didn’t yet have
an internet connection. My responsibilities also included developing
marketing tracking and inventory database systems, which got me
involved in technology and analysis.
After a few years at
Haworth, I moved to Maryland and began working with a news service that
covered the oil and natural gas industries, the Energy Intelligence
Group. The company was formed after a merger of two esteemed
publications and I spent the first year working on integrating
circulation, finance and marketing systems. My other main
responsibility was for marketing the publications. It was an amazing
time as we moved the company from daily print distribution to email and
eventually web-based delivery of information.
In 1998, I moved
back into the scholarly publishing world where I took a position at the
Journals Marketing Manager at the Johns Hopkins University Press. My
team was responsible for promotion of subscriptions to the Press’s 55+
academic journals, advertising sales and journal title acquisition. At
the time, JHU Press was rapidly expanding its online journal platform,
Project Muse. Shortly after I joined the Press, Muse began providing
service to other university presses and non-profit publishers. The
entire Muse management team worked to forge new ground in publishing,
addressing questions of licensing, sales and revenue distribution
models, and the balance between print and online publishing.
In
2004, I left the press to join another online journal aggregation
service, BioOne and took on the role of Director of Business
Development, in which I focused on sales, business relationships, and
development models. As a relatively new and rapidly growing service,
BioOne was adjusting to the shift by libraries and users away from
print toward online subscriptions. Balancing these revenue streams for
participating publishers was a critical aspect of our work and where we
spent a great deal of time.
Now as Director of NISO, I focus
on standards, information technology and the exchange of information
between publisher and vendor, supplier and library, and eventually to
the end user. Each of these exchanges is a friction point where
standards are needed to facilitate the delivery of content.
For
the past decade, the majority of companies and initiatives that I have
worked on have straddled this line between our different communities,
publishing, suppliers and libraries. How each part interacts with and
engages the others and their interaction that keeps our world
interesting.
Where do you see scholarly communications heading, and what new directions interest you most?
The
publishing world generally is in the midst of tremendous change, the
likes of which haven’t been seen since the mid-19th century or possibly
the age of Gutenberg and movable type. This has been repeated so much,
it’s almost cliché. However, it is difficult to underestimate the
impact these changes will have on our community over the next several
decades. Those of us who are active in scholarly publishing will be
addressing these issues for the rest of our careers.
I see the
following as critical areas that are in most desperate need of
attention in our community: discovery, license and ownership questions,
and preservation. On the questions of discovery, thanks to Google, we
seem to have forgotten all of the advances in organization that
libraries have developed over decades in finding information and have
turned to rely solely on keyword searching. This works well enough 80%
of the time. The problem is that people have become satisfied with the
80% results that Google returns in fractions of a second, not
understanding that there may be something critical in that remaining
20%. Incorporating into search classification structures, ontologies,
and improved semantics—all common under different guises in the print
world—is a critical component to ensuring that ALL relevant content is
visible to users.
There is much to be written about copyright
and ownership questions with digital content. The same attributes that
make sales of digital content so profitable for publishers also make
the sharing and re-distribution of that content such a problem. How we
as a community deal with these issues will be an area of much
contention for decades.
Finally, preservation of the content
we are creating is among our biggest challenges. No one much worried
about the preservation of printed texts, because writing on paper (if
well stored) can last hundreds or thousands of years. Digital
information can disappear in the blink of an eye, or more likely become
obsolete because of media or technology changes. While initiatives
like Portico or LOCKSS address this question for some content, they are
only limited to the content participating in those programs. There is
a wide swath of digital information we are apt to lose, such as blogs,
Facebook pages, twitter streams, online notebooks, or non-printed
research reports that don’t end up in repositories that will likely go
dark in future decades. Much of the current research on historical
figures relies on their notes, letters and diaries to round out the
story of their lives and activities. Today much of that is now online
and prone to loss.
The directions that interest me most
include ebooks and display technology, identification of items, people
and content, and copyright. The next transformation of our industry
will likely be in how people access digital content – moving away from
the desktop to something that more resembles the experience of using a
book. Much of this will depend on developments with display
technology, digital ink, and battery power. How people interact with
content is going to come down to better solutions for identification of
people and content. Control of access to content will be driven by
advances in identity management. This likely won’t come out of the
publishing world (more likely banking or government), but will have
incredible ramifications on how scholarship and all content is
distributed. Finally, sharing and reuse of content is not likely to
be contained by the current rules for copyright. Restructuring those
rules to acknowledge and allow what most people want to do with content
will be a key question worth watching if copyright is to continue to
have any respect by end-users of content.
What
advice would you give to people interested in a career in scholarly
communications? What new roles or opportunities do you see emerging in
the field?I would suggest finding ways to
proactively search for projects of interest, get involved and be
willing to volunteer to contribute in the areas that you are interested
in. You’ll find that many projects need additional people and
resources, both within and outside of your current organization.
Find
ways to get involved in a broad range of things. We are often hemmed
in by our particular responsibilities, but developing knowledge of the
other “links in the chain” is important. You might find new things you
didn’t know you were interested in, but more likely you’ll develop a
better understanding of how what you do impacts the rest of the chain
of information – which it certainly does.
I see there being
increasingly important opportunities, particularly for applying or
improving technology in our workflows. As our entire industry become
digitally based, understanding that technology is certainly a growth
opportunity for careers in all aspects of publishing and libraries. I
also see a strong future in many of the formerly print-based skills
that need translation into a digital environment, such as cataloging,
editing and indexing, which ties to my point above about getting away
from the reliance on keywords for everything. Finally, there is a
tremendous need for project management in our industry, which brings
people from different organizational areas or companies to work on a
joint project. How to bring people together and get them working on
joint projects has always been critical in business. I see it becoming
increasingly so because the strength in digital distribution lies in
its scale and diverse application.